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Kate Quinn has set her bestselling women-centered historical fiction in ancient Rome, the Renaissance, and the French Revolution.
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Thursday, Oct.7, 7 p.m., with Dakota County Library. Her latest, “Local Woman Missing,” was released in March. 4, 7 p.m., with Anoka County Library: Mary Kubica is a New York Times best-selling author of psychological thrillers, two of which are currently being adapted for television. “Remembrance” is a refuge for escaped slaves that exists outside the normal bounds of time and space. 28, 7 p.m., with Saint Paul Public Library: Rita Woods’ historical fiction debut has been compared to the writings of Toni Morrison and Octavia Butler. Her memoir, “Beautiful Country,” is due out Sept. 20, 7 p.m., with Hennepin County Library: Qian Julie Wang grew up as the undocumented child of struggling Chinese émigré., Today she’s managing partner of a New York law firm specializing in advocacy for immigrants and people of color. Her YA debut, “Firekeeper’s Daughter,” was an instant #1 New York Times bestseller. Marie tribe of Chippewa Indians and former director of the Office of Indian Education at the US Department of Education. 16, 7:30 p.m., with Dakota County Library: Angeline Boulley is a member of the Sault Ste. Her latest, “These Toxic Things,” is due out Sept. 7, 7 p.m., with Scott County Library: Rachell Howzell Hall is the pen name for the author of the four volume Elouise “Lou” Norton mystery series, a strong and likeable African American detective. This fall, for the first time, it will host an author from London, because authors can be anywhere. A program of the Metropolitan Library Service Agency (MELSA), funded through the Arts and Cultural Heritage Fund, Club Book usually travels to public libraries around the Twin Cities, featuring different authors at different libraries. So when Club Book announced that its Fall 2021 season would once again be virtual, that wasn’t a big surprise, with COVID re-raging, and for many it might be welcome news. What books are on the bookshelves? What art is on the walls? Do they have a dog?
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Plus we get glimpses into authors’ real lives. But if we don’t have to get dressed and go someplace and park and then sit in a folding chair or stand, we can attend more author events, near and far.
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Unless we want to stand in line and have a book signed, and sometimes we do, and there’s nothing wrong with that. Since authors don’t really do much during a reading or talk besides read or talk, we might as well watch from home in a comfy chair with a cat in our lap. Virtual events are arguably better for the authors, who can give several readings or talks in a week without getting on a plane. One type of event that hasn’t suffered much from the switch from in-person to streaming is the book launch or author talk. To the virtual museum and gallery tours that took us behind closed doors. Kudos to the Guthrie’s “Dickens’ Holiday Classic,” to Northrop’s dance films, to the Minnesota Orchestra’s livestreamed concerts, and the SPCO’s, and Minnesota Opera’s “Albert Herring,” and the Twin Cities Jazz Festival, whose weekly Jazz Fest Live broadcasts went from amateur to pro. And with COVID raging, there was no place we wanted to go. We desperately missed live and in-person performances, but we saw many examples of streaming as the next best thing to being there. We were witnesses to the evolution of streaming from blurry to crisp visuals, muddy to clear sound, better lighting, more camera angles and lower latency (the delay, or lag, between when something happens in real time and when we see the stream). All the arts and culture that could move to streaming did, sometimes successfully, sometimes less so. Jane SmileySince COVID arrived in early 2020, those of us with internet access have been living in a streaming world.